Criticism


“Style,” Oxford Handbook of Philip Sidney, ed. Catherine Bates (Oxford, 2024): 507-524.

“Shakespeare’s Canvas,” Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production 77 (2024): 35-50.

“The Contingency of Form in Renaissance Poetics,” PMLA: Publications of the Modern Language Association of America 138.5 (Autumn, 2023): 1094-1109.

“In the Mood of Fiction,” English Literary Renaissance 52.3 (Autumn, 2022): 385-396.

“Do You Hear What I Hear?,” Spenser Studies: A Renaissance Poetry Annual 36 (2022): 295-307.

“But Ah,” Spenser Studies: A Renaissance Poetry Annual 36 (2022): 359-360.

“The Queen’s Conceit in Shakespeare’s Richard II,” SEL – Studies in English Literature 60.1 (Winter, 2020): 25-46.

“The Artificial Life of Rhyme,” ELH 83.1 (Spring, 2016): 71-99.

“Poetry and the Potential Mood: The Counterfactual Form of Ben Johnson’s “To Fine Lady Would-Be”,” Modern Philology 112.2 (Fall, 2014): 336-357.

“Shakespeare’s Nobody,” in Othello: The State of Play, ed. Lena Orlin (Arden, 2014): 257-279.

“Braggadochio and the Schoolroom Simile,” English Literary Renaissance 41.3 (Autumn, 2011): 429-461.

“Wroth’s Clause,” ELH 76.4 (Winter, 2009): 1049-1071.